{"id":775,"date":"2019-08-29T23:29:39","date_gmt":"2019-08-29T21:29:39","guid":{"rendered":"http:\/\/lctufbf.cluster020.hosting.ovh.net\/?page_id=775"},"modified":"2019-08-29T23:29:39","modified_gmt":"2019-08-29T21:29:39","slug":"huit-et-demi","status":"publish","type":"page","link":"https:\/\/fanfare-zebaliz.com\/index.php\/partoches\/huit-et-demi\/","title":{"rendered":"Huit et demi"},"content":{"rendered":"\n<div class=\"wp-block-themeisle-blocks-advanced-columns has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-default-gap has-vertical-unset\" id=\"wp-block-themeisle-blocks-advanced-columns-7e65d1c1\" style=\"border-width:0px;border-style:solid;border-color:#000000;border-radius:0px;justify-content:unset\"><div class=\"wp-themeisle-block-overlay\" style=\"opacity:0.5;mix-blend-mode:normal\"><\/div><div class=\"innerblocks-wrap\">\n<div class=\"wp-block-themeisle-blocks-advanced-column\" id=\"wp-block-themeisle-blocks-advanced-column-ef999101\" style=\"border-width:0px;border-style:solid;border-color:#000000;border-radius:0px\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"329\" src=\"https:\/\/fanfare-zebaliz.com\/wp-content\/uploads\/2019\/08\/Huit-et-demi.jpg\" alt=\"\" class=\"wp-image-776\"\/><\/figure><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p style=\"text-align:center\"><strong>Nino Rotta (arrangement Claude et Georges)<\/strong><\/p>\n\n\n\n<p>Un des plus grands classiques de la fanfare, r\u00e9cemment modernis\u00e9, celui que Maurice demandait d\u00e8s que le public atteignait un nombre critique susceptible de lui assurer une renomm\u00e9e et une pr\u00e9sence \u00e0 la hauteur de ses talents d\u2019orateur, de harangueur et de chauffeur de salle&#8230; S\u2019est dot\u00e9 r\u00e9cemment d\u2019une intro (clarinettes et sax) et d\u2019un interm\u00e8de jou\u00e9 (th\u00e9oriquement) par les basses, trombone et t\u00e9nors seuls. Cet interm\u00e8de, dot\u00e9 de quelques redoutables alt\u00e9rations (on appelle ainsi les di-h\u00e8ses et les B-molles), pose de nombreux probl\u00e8mes aux fanfarons qui, parfois, \u00e9ludent gracieusement une ou deux notes en laissant leur compagnon de pupitre (quand il est l\u00e0) assurer et jouer ces notes dangereuses. Malgr\u00e9 ces quelques avaries passag\u00e8res, cet air est un must, un de ceux qui a travers\u00e9 les ans sans prendre une ride, qui transporte les foules, qui les emporte au septi\u00e8me ciel, qui \u00e9puise quelques fanfarons volubiles courant (en jouant) devant et autour des premiers rangs, et qui comblait Maurice d\u2019aise (bien que parfois, il e\u00fbt pr\u00e9f\u00e9r\u00e9 ne pas le jouer en marchant&#8230; mais \u00e7a c\u2019est une autre histoire).<\/p>\n\n\n\n<div class=\"wp-block-file aligncenter\"><a href=\"https:\/\/fanfare-zebaliz.com\/wp-content\/uploads\/2019\/08\/Huit-et-demi.pdf\">Les partoches<\/a><a href=\"https:\/\/fanfare-zebaliz.com\/wp-content\/uploads\/2019\/08\/Huit-et-demi.pdf\" class=\"wp-block-file__button\" download>T\u00e9l\u00e9charger<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nino Rotta (arrangement Claude et Georges) Un des plus grands classiques de la fanfare, r\u00e9cemment modernis\u00e9, celui que Maurice demandait d\u00e8s que le public atteignait un nombre critique susceptible de lui assurer une renomm\u00e9e et une pr\u00e9sence \u00e0 la hauteur de ses talents d\u2019orateur, de harangueur et de chauffeur de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":686,"parent":34,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-775","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/pages\/775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/comments?post=775"}],"version-history":[{"count":1,"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/pages\/775\/revisions"}],"predecessor-version":[{"id":778,"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/pages\/775\/revisions\/778"}],"up":[{"embeddable":true,"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/pages\/34"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/media\/686"}],"wp:attachment":[{"href":"https:\/\/fanfare-zebaliz.com\/index.php\/wp-json\/wp\/v2\/media?parent=775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}